Tertiary Education

Doctor of Philosophy

Thesis Paolo Uccello: The Life and Work of an Italian Renaissance Artist

(Melbourne Research Scholarship 2002–2006; Palladio Trust Peggy Guggenheim Collection Internship Grant, 2002; Alma Hansen Scholarship, 2003; University of Melbourne TRIPS Grant, 2004)

Art History
The University of Melbourne
2002 – 2006

Master of Arts

Thesis Re-examining Van Eyck: A New Analysis of the Ince Hall Virgin and Child

(Australian Postgraduate Award 1999–2000)
92% – equal highest MA in the Arts Faculty in its year

Art History
The University of Melbourne
1999 – 2001

Postgraduate Diploma in Arts (Art Curatorship and Museum Management)

Thesis component Frank Rinder and the Felton Bequest 1918-1928:
International Acquisition Policy

Art History
The University of Melbourne
1997 – 1998

Bachelor of Arts (Art History Major)

(Dean’s List 1996–top 4% of the Arts Faculty)

Arts Faculty
The University of Melbourne
1987 – 1988, 1995 – 1996

Employment History

Art History Tutor, Invited Lecturer, Research Assistant, On-line Project Manager,
Personal Assistant to the Head (HEW Level 5)

Art History Department, School of Culture and Communication
(formerly School of Art History, Cinema, Classics and Archaeology)

The University of Melbourne
periodically 2000 – current

Supervisor of Fourth Year Honours Research Student – Italian Renaissance Art History, thesis and reading course

School of Historical and European Studies

La Trobe University, Melbourne
2007

Art History Tutor – nineteenth-century European Art History

Centre for Indigenous Education

The University of Melbourne
October 2006

Art History Tutor – Baroque and nineteenth-century European Art History

Queens College

The University of Melbourne
July – October 2006

Writer – Italian Renaissance Art and Social History

The University of Western Australia and Australians Studying Abroad, through an Australian Research Council Grant

March – June 2006

Art History Tutor – Art History from the Renaissance to the present

Newman College

The University of Melbourne March – May 2005

Corporate Support Officer (VPS 3)

Centenary of Federation Victoria

Department of Premier and Cabinet, State Government of Victoria
December 2000 – June 2001

Research Assistant, Band 1 (casual), Relocation Assistant (part-time), and Registration Assistant (casual)

Marketing, Relocation, and Registration Departments, respectively

National Gallery of Victoria
periodically 1998 – 2000

Assistant Registrar (part-time)

Melbourne International Biennial

Ian Potter Museum of Art
March – July 1999

Sales Assistant (casual)

David Jones

Bourke St, Melbourne, VIC, 3000
June 1995 – May 1999

Sales Assistant (casual)

David Jones

Market St, Sydney
November 1994 – February 1995

Sales Assistant (casual)

David Jones

Elizabeth St, Sydney
June – September 1994

Barista (casual)

Summit

Theatre Royal and Australia Square, Sydney
July 1993 – February 1994

English Language Instructor

Edgware College

Edgware Rd, London
August 1991 – July 1992

English Language Instructor

Oxford School of English

Haymarket, London
March – August 1991

English Language Instructor

Atty Inc.

Osaka
June – November 1990

Curatorial Assistant (part-time)

Fia Inc

Kyoto
April 1990

English Language Instructor (part-time)

Phoenix Associates

Osaka
January – May 1990

Human Resources Officer

Department of Veterans’ Affairs

St Kilda Rd, Melbourne
January – August 1989

Publications

book
Paolo Uccello: Artist of the Florentine Renaissance Republic, V.D.M. Verlag, 2008.
refereed articles
‘Paolo Uccello and the Confraternity of Saint Peter Martyr: Themes of Reciprocal Obligation in Life and Art’, in Sociability and its Discontents: Civil Society, Social Capital and their Alternatives in European and Australian Society, N. Eckstein and N. Terpstra (eds), proceedings of a conference held at the University of Sydney 19–21 August 2005, forthcoming.
‘Paolo Uccello and Fra Angelico in the Early Quattrocento’, Art, Site and Spectacle: Studies in Early Modern Visual Culture, David R. Marshall (ed.) (Melbourne Art Journal, vols 9–10), 2007, pp. 17–33.
‘From Via della Scala to the Cathedral: Social Spaces and the Visual Arts in Paolo Uccello’s Florence’, PLACE, www.eslewhereonline.com.au, April 2007, pp. 1–12.
‘The Monuments of Florence, Real and Imagined, in the Early Renaissance: The Development of Single-Point Perspective’, PLACE, www.elsewhereonline.com.au, April 2007, pp. 1–13.
‘The Politics of War: Paolo Uccello’s Equestrian Monument for Sir John Hawkwood in the Cathedral of Florence’, Parergon, vol. 23, no. 2, 2006, pp. 1–34.
‘A Knight in Shining Armour, A Virgin: Paolo Uccello’s Melbourne Saint George and the Dragon and Oxford Annunciation’, Art Bulletin of Victoria, vol. 46, 2006, pp. 7–15.
other research publications
‘The Materials and Technique of Two Panel Paintings Attributed to Paolo Uccello: The Oxford Annunciation and the Melbourne Saint George’, in H. Verougstraete and R. van Schoute (eds), La peinture ancienne et ses procedés: Copies, répliques, pastiches, Leuven: Uitgeverij Peeters, 2006, pp. 8–17.
‘The Chronograms in the Inscription of Jan van Eyck’s Portrait of Jan de Leeuw’, Oud Holland, vol. CXVI, no. 2, 2003, pp. 96–99.
‘Shedding Light on an Eyckian Virgin and Child: The Infrared Reflectography of the Ince Hall Virgin and Child’, in H. Verougstraete and R. van Schoute (eds), Le dessin sous-jacent et la technologie dans la peinture: Jérôme Bosch et son entourage et autres études, Colloque XIV, Leuven, Paris, Dudley MA, 2003, pp. 260–72.
‘30, La Virgen con el Niño de Ince Hall–Aspectos tecnicos de La Virgen con el Niño de Ince Hall’, in M. Natale (ed.) El Renacimiento Mediterráneo, exh. cat., Thyssen-Bornemisza Museum, Madrid, 31 January to 6 May 2001 and Museo de Bellas Artes, Valencia, 18 May to 2 September 2001, pp. 267–69.
‘A Continuing Tradition of Benefaction to the National Gallery of Victoria’, in D. Webster (ed.) The New National Gallery of Victoria: One Vision, Two Galleries, Melbourne, 2000, pp. 7–8.
reviews
‘Ecstasy and Melancholy from the Masters of Emotion at the Mornington Peninsula Regional Gallery, Victoria’, Art Monthly, no. 203, September 2007, pp. 3–6.
‘Anne Gray and John Gage, with essays by Mark Evans, Ann Galbally, Conal Shields, and MaryAnne Stevens, Constable: Impressions of Land, Sea and Sky’, World of Art and Antiques, vol. LXXI, August 2006-February 2007, pp. 166–67.
‘The Felton Illuminated Manuscripts in the National Gallery of Victoria, by Margaret M. Manion, published by Macmillan Art Publishing and the National Gallery of Victoria, Melbourne, 2005’, World of Art and Antiques, vol. LXX, February–August 2006, pp. 164–67.
with E. Szabo, ‘Bill Henson, Three Decades of Photography’, E-MAJ, Issue 1, July-December 2005, 8.1-8.3, www.melbourneartjournal.unimelb.edu.au/E-MAJ.

Teaching

Thesis Supervisor, and Reading Course Supervisor, Fourth Year Honours Student in Italian Renaissance Art History

School of Historical and European Studies

La Trobe University
total hours: 26 and 7.5 hours respectively
Semesters 1 and 2, 2007

Tutor, second and third year subject, single student—nineteenth-century European Art History

Centre for Indigenous Education

The University of Melbourne
total hours: 3
Semester 2, 2006

Tutor, second and third year subjects, one class of seven students, ten one-hour classes and ten individual appointments—Baroque and nineteenth-century European art history

Queens College

The University of Melbourne
total hours: 20
Semester 2, 2006

Guest Lecturer, Italian Renaissance Painting, second and third year subject, forty students, 14 March 2005, Seeing Things Differently: The Development of Perspective in Florence in the Fifteenth Century

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
total hours: 1
Semester 1, 2005

Tutor, Art History A: The Work of Art, first year subject, three classes of twenty students, thirty-three one-hour tutorials

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
total hours: 33
Semester 1, 2005

Tutor, first year subject, one class of seven students, ten two-hour tutorials – Art History from the Renaissance to the present

Newman College

The University of Melbourne
total hours: 20
Semester 1, 2005

Guest Lecturer, Van Eyck to Bosch: Early Netherlandish Painting, fourth year honours subject, one class of twenty-five students, three two-hour seminars: 11 March 2004, Hubert and Jan van Eyck: The Ghent Altarpiece, the Turin-Milan Hours and Other Works; 18 March 2004, Jan van Eyck and His Workshop; and 1 April 2004, Originals, Copies and Variants by Rogier van der Weyden, His Workshop and Followers.

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
total hours: 6
Semester 1, 2004

Guest Lecturer and Tutor, Histories and Theories of Conservation, third and fourth year subject, three classes of twenty students, one one-hour lecture and sixty one-hour tutorials, 5 April 2004, The Ince Hall Virgin and Child: The Interpretation of Conservation Evidence for the Purpose of Attribution

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
total hours: 61
Semester 1, 2004

Guest Lecturer and Tutor, Histories and Theories of Conservation, third and fourth year subject, three classes of twenty students, one one-hour lecture and sixty one-hour tutorials, 7 April 2003, ‘The Van Eyck – is it genuine?’ – The Interpretation of Conservation Evidence for the Purpose of Attribution in the Case of the Ince Hall Virgin and Child

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
total hours: 61
Semester 1, 2003

Guest Lecturer and Administrator, Bologna: Study Abroad, third and fourth year subject, one class of fifteen students, two-week intensive subject taught on location in Italy, one one-hour lecture and ten five-hour days; 8 July 2003, Paolo Uccello’s Adoration of the Child in San Martino Maggiore

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
total hours: 51
Mid-Semester Break, 2003

Guest Lecturer and Tutor, Histories and Theories of Conservation, second and third year subject, three classes of twenty students, one one-hour lecture and sixty one-hour tutorials, 4 September 2001, Shedding Light on an Eyckian Virgin and Child: The Critical Reception and Scientific Analysis of the Ince Hall Virgin and Child and its Signature

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
total hours: 61
Semester 2, 2001

Course Development

Project Manager for the development of The Virtual Condition Report on-line art conservation teaching and learning program

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
2004

Co-wrote Van Eyck to Bosch: Early Netherlandish Painting, fourth year honours subject, with Professor Nigel Morgan and Dr Kate Challis

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
2004

Revised Histories and Theories of Conservation, third and fourth year subject, with Professor Jaynie Anderson

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
2003

Exhibitions

  • The Medieval Imagination, curated by Professor Emeritus Margaret Manion, The State Library of Victoria, from March 2008: editorial assistant.
  • Jan van Eyck, Early Netherlandish Painting and Southern Europe, curated by Till-Holger Borchert, Groeningemuseum, Bruges, 15 March – 30 June 2002: symposium paper.
  • Peggy Guggenheim Collection Venice, permanent collection, curated by Dr Phillip Rylands, June – July 2002: floor talks.
  • El Renacimiento Mediterraneo, curated by Mauro Natale, Thyssen-Bornemisza Museum, Madrid, 31 January to 6 May 2001 and Museo de Bellas Artes, Valencia, 18 May – 2 September 2001: contribution to exhibition catalogue.
  • Reiki Wara: Aboriginal Longcloth from Aboriginal Australia and the Torres Strait, curated by Judith Ryan, National Gallery of Victoria, Melbourne, and other venues: installation intern.
  • Melbourne International Biennial, curated by Juliana Engberg, Ian Potter Museum of Art and other venues, Melbourne, 14 May – 27 June 1999: Assistant Registrar.
  • image@postgrad.unimelb, curated by Hugh Hudson, University of Melbourne Postgraduate Association, 15 – 30 October 1998: Curator.
  • Postcard Show, coordinated by Martina Copley, Linden – art centre and gallery, Melbourne, January 1998: volunteer administrative assistant.
  • Requiem for Ghosts, curated by Claire Williams, Australian Centre for Contemporary Art, Melbourne, February 1998: volunteer installation
  • Deacons, Graham and James/Arts 21 Award, curated by Rachel Kent, University of Melbourne Museum of Art, 13 June – 27 July 1997: volunteer administrative assistant.

Conference and Seminar Papers

  • 13 December 2007 Early Europe Research Forum, The University of Melbourne, Network for Early European Research, ‘Connections Between Panel Painters and Illuminators in Early Renaissance Florence’.
  • 5 July 2007 Australian Research Council funded Network for Early European Research Inaugural International Conference, Networks, Communities, Continuities: Europe 400 – 1850, University of Western Australia, ‘A Perspective on Suffering: Paintings in Early European Hospitals’ and ‘A Prayer for Peace: Arbitrating Conflict in the Chiostro Verde of Santa Maria Novella in Florence’.
  • 23 March 2007 University of Melbourne Fine Arts Network Floortalk at the National Gallery of Victoria, ‘Paolo Uccello’s Saint George and the Dragon and the Threat of the Pagan’
  • 2 February 2007 Connections: Exploring Illuminated Manuscripts, The Research Cluster for Manuscript Studies, The University of Melbourne, convened by Margaret Manion, ‘Connections between Early Netherlandish Panel Painters and Illuminators: The Case of Hand G, Van Eyck, and the Ince Hall Virgin and Child’
  • 16 November 2006 Art and Culture in Renaissance Tuscany. New Directions in Research, convened by David R. Marshall, for the Fine Arts Network, University of Melbourne, Australia, ‘Beyond Florence: Paolo Uccello in the Contado and Further Afield’
  • 19 April 2006 Early Modern Circle, History Department, The University of Melbourne, Australia, ‘The Politics of War: Paolo Uccello’s Equestrian Monument for Sir John Hawkwood in the Cathedral of Florence’
  • 20 August 2005 Sociability and its Discontents: Civil Society, Social Capital and their Alternatives in European and Australian Society, School of Philosophical and Historical Inquiry, University of Sydney, Australia, ‘Paolo Uccello and the Confraternity of Saint Peter Martyr: Themes of Reciprocal Obligation in Life and Art’
  • 20 July 2005 AHCCA Postgraduate Association Symposium, The University of Melbourne, Australia, ‘It Is Not Always What You Know: Patterns of Patronage in the Renaissance’
  • 9 March 2005 Seminar Program, the School of Art History, Cinema, Classics and Archaeology, The University of Melbourne, Australia, ‘ “Solitary, Strange, Melancholy and Poor”? New Evidence for the Early Life and Career of the Italian Renaissance Artist Paolo Uccello’
  • 3 February 2005 Australia and New Zealand Association of Medieval and Early Modern Studies Conference, Auckland, New Zealand, ‘Art, Archaeology and the Archive: New Pieces in the Puzzle of Paolo Uccello’s Early Life and Career’
  • 10 June 2004 AHCCA Postgraduate Association Symposium, The University of Melbourne, Australia, ‘When Good Neighbours Become Good…Patrons: Paolo Uccello’s Neighbours and Patrons in the 1430s and 1440s’
  • 11 September 2003 Colloque XV, Le dessin sous-jacent et la technologie dans la peinture: Copies, répliques, pastiches, Bruges, Belgium. ‘The Materials and Technique of Two Panel Paintings Attributed to Paolo Uccello: The Oxford Annunciation and the Melbourne Saint George’
  • 5 June 2003, Postgraduate Symposium, The University of Melbourne, Australia, ‘“AΛC/IXH/XAN”: Coded Messages in Jan van Eyck’s Inscriptions’
  • 12 April 2003, A Day of Magnificence, Graduate Centre Symposium, The University of Melbourne, ‘Jan van Eyck’s Luxurious Virgins’
  • 7 February 2003 Australia and New Zealand Association of Medieval and Early Modern Studies Conference, Melbourne, Australia, ‘Back from the Dead: The Iconography of the Saint George and the Dragon Attributed to Paolo Uccello in the National Gallery of Victoria’
  • 6 December 2002 Art Association of Australia and New Zealand Conference 2002, Sydney, Australia, ‘Back from the Dead: the Saint George and the Dragon Attributed to Paolo Uccello in the National Gallery of Victoria’
  • 6 November 2002 Fine Arts Classical Studies and Archaeology Postgraduate Symposium, Melbourne, Australia, ‘Back from the Dead: The Saint George and the Dragon Attributed to Paolo Uccello in the National Gallery of Victoria’
  • 25 June 2002 Symposium Jan van Eyck, Early Netherlandish Painting and the South of Europe, 1430 – 1530, Bruges, Belgium, ‘The Chronology of Van Eyck’s Most Domestic Compositions: Ince Hall Virgin and Child, Giovanni (?) Arnolfini and his Wife, Woman at her Toilet (Bathseba?)’
  • 6 March 2002 Renaissance Seminar Program, Melbourne, Australia, ‘Et aula lucis fulgida: Jan van Eyck’s Ince Hall Virgin and Child’
  • 5 October 2001 Visual Arts in the 21st Century from Museum to Cyberspace, Art Association of Australia and New Zealand Annual Conference, Melbourne, Australia, ‘Re-examining Van Eyck A New Analysis of the Ince Hall Madonna’
  • 14 September 2001 Colloque XIV pour l’étude de la technologie et du dessin sous-jacent dans la peinture: Jérôme Bosch et son entourage, Bruges, Belgium, ‘Shedding Light on an Eyckian Virgin and Child: The Infrared Reflectography of the “Ince Hall Madonna”’, National Gallery of Victoria, Melbourne

Other Appointments

Honorary Research Fellow

Art History, School of Culture and Communication

The University of Melbourne
2006 – current

Editorial Assistant

The Medieval Imagination exhibition catalogue

State Library of Victoria
2007 – 2008

Harold Wright Scholarship

Print Room, British Museum
awarded December 2007

External Examiner Fourth Year Honours Thesis

School of Historical and European Studies

La Trobe University
2007 (on two occasions)

Referee Australia and New Zealand Journal of Art

School of English, Media Studies and Art History

University of Queensland
2007

Co-Judge Michael Scott Art Prize

Newman College

The University of Melbourne
2007

Co-Convenor Early Modern Circle

History Department

The University of Melbourne
2006

Co-Judge Michael Scott Art Prize

Newman College

The University of Melbourne
2006

Co-Judge Queens College Art Prize

Queens College

The University of Melbourne
2006

Postgraduate Student Representative

Australian Research Council funded Network for Early European Research Management Committee
2005

Postgraduate Student Representative for the School of Art History, Cinema, Classics and Archaeology

Arts Faculty Postgraduate Research and Graduate Studies Consultative Group

The University of Melbourne
2004

Convenor of Exhibit A: Art History, Cinema, Classics and Archaeology Postgraduate Conference

The University of Melbourne
2004

President AHCCA Postgraduate Association Committee

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
2004

Research Assistant Professor Jaynie Anderson, Tiepolo’s Cleopatra

Macmillan, Melbourne
2004

Treasurer AHCCA Postgraduate Association Committee

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
2003

Intern

Peggy Guggenheim Collection Venice
2002

Nominated Representative AHCCA Postgraduate Association Committee

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne
1998

Intern Registration Department

National Gallery of Victoria, Melbourne
1998

Research Assistant

Francis Lindsay, Rachel Kent and Elizabeth Aders, Arts Industry and Science: The Grimwade Legacy

Melbourne University Museum of Art
1998

Corrigenda et addenda

  1. ‘Attributed to Jan van Eyck, Virgin and Child, (Ince Hall Madonna)’

    appeared as ‘30, La Virgen con el Niño de Ince Hall – Aspectos tecnicos de La Virgen con el Niño de Ince Hall’, in M. Natale (ed.) El Renacimiento Mediterráneo, exh. cat., Thyssen-Bornemisza Museum, Madrid, 31 January to 6 May 2001 and Museo de Bellas Artes, Valencia, 18 May to 2 September 2001, pp. 267 – 69.

    Download this paper in pdf format

  2. ‘The Chronograms in the Inscription of Jan van Eyck’s Portrait of Jan de Leeuw’

    appeared as: ‘The Chronograms in the Inscription of Jan van Eyck’s Portrait of Jan de Leeuw’, Oud Holland, vol. CXVI, no. 2, 2003, pp. 96 – 99.

    Download this paper in pdf format

  3. ‘Shedding Light on an Eyckian Virgin and Child: The Infrared Reflectography of the Ince Hall Virgin and Child’

    appeared as: ‘Shedding Light on an Eyckian Virgin and Child: The Infrared Reflectography of the Ince Hall Virgin and Child’, in H. Verougstraete and R. van Schoute (eds), Le dessin sous-jacent et la technologie dans la peinture: Jérôme Bosch et son entourage et autres études, Colloque XIV, Leuven, Paris, Dudley MA, 2003, pp. 260 – 72.

    Download this paper in pdf format

  4. ‘The Felton Illuminated Manuscripts in the National Gallery of Victoria,
    by Margaret M. Manion […]’

    appeared as: ‘The Felton Illuminated Manuscripts in the National Gallery of Victoria, by Margaret M. Manion, published by Macmillan Art Publishing and the National Gallery of Victoria, Melbourne, 2005’, World of Art and Antiques, vol. LXX, February – August 2006,
    pp. 164 – 67.

    Download this paper in pdf format

  5. ‘The Materials and Technique of Two Panel Paintings Attributed to Paolo Uccello: The Oxford Annunciation and the Melbourne Saint George’

    appeared as: ‘The Materials and Technique of Two Panel Paintings Attributed to Paolo Uccello: The Oxford Annunciation and the Melbourne Saint George’, in H. Verougstraete and R. van Schoute (eds), La peinture ancienne et ses procedés: Copies, répliques, pastiches, Leuven: Uitgeverij Peeters, 2006, pp. 8 – 17.

    Download this paper in pdf format

  6. ‘Anne Gray and John Gage, with essays by Mark Evans, Ann Galbally, Conal Shields, and MaryAnne Stevens, Constable: Impressions of Land, Sea and Sky […]’

    appeared as: ‘Anne Gray and John Gage, with essays by Mark Evans, Ann Galbally, Conal Shields, and MaryAnne Stevens, Constable: Impressions of Land, Sea and Sky’, World of Art and Antiques, vol. LXXI, August 2006 – February 2007, pp. 166 – 67.

    Download this paper in pdf format

  7. ‘A Knight in Shining Armour, A Virgin: Uccello’s Saint George and the Dragon in the National Gallery of Victoria, Melbourne, and Annunciation in the Ashmolean Museum, Oxford’

    appeared as: ‘A Knight in Shining Armour, A Virgin: Paolo Uccello’s Melbourne Saint George and the Dragon and Oxford Annunciation’, Art Bulletin of Victoria, vol. 46, 2006, pp. 7 – 15.

    Download this paper in pdf format

  8. ‘The Politics of War: Paolo Uccello’s Equestrian Monument for Sir John Hawkwood in the Cathedral of Florence’

    appeared as: ‘The Politics of War: Paolo Uccello’s Equestrian Monument for Sir John Hawkwood in the Cathedral of Florence’, Parergon, vol. 23, no. 2, 2006, pp. 1 – 34.

    Download this paper in pdf format

  9. ‘Ecstasy and Melancholy in Masters of Emotion at the Mornington Peninsula Regional Gallery’

    appeared as: ‘Ecstasy and Melancholy from the Masters of Emotion at the Mornington Peninsula Regional Gallery, Victoria’, Art Monthly, no. 203, September 2007, pp. 3 – 6.

    Download this paper in pdf format

  10. ‘Paolo Uccello and Fra Angelico in the Early Quattrocento’

    appeared as: ‘Paolo Uccello and Fra Angelico in the Early Quattrocento’, Art, Site and Spectacle: Studies in Early Modern Visual Culture, David R. Marshall (ed.) (Melbourne Art Journal, vols 9 – 10), 2007, pp. 17 – 33.

    Download this paper in pdf format

  11. ‘From Via della Scala to the Cathedral: Social Spaces and the Visual Arts in Paolo Uccello’s Florence’

    appeared as: ‘From Via della Scala to the Cathedral: Social Spaces and the Visual Arts in Paolo Uccello’s Florence’, PLACE, www.eslewhereonline.com.au, November 2007, pp. 1 – 12.

    Download this paper in pdf format

  12. ‘The Monuments of Florence, Real and Imagined, in the Early Renaissance: The Development of Single-Point Perspective in Painting’

    appeared as: ‘The Monuments of Florence, Real and Imagined, in the Early Renaissance: The Development of Single-Point Perspective’, PLACE, www.elsewhereonline.com.au, November 2007, pp. 1 – 13.

    Download this paper in pdf format

  13. ‘Paolo Uccello and the Confraternity of Saint Peter Martyr: Themes of Reciprocal Obligation in Life and Art’

    to appear as: ‘Paolo Uccello and the Confraternity of Saint Peter Martyr: Themes of Reciprocal Obligation in Life and Art’, in Sociability and its Discontents: Civil Society, Social Capital and their Alternatives in European and Australian Society, N. Eckstein and N. Terpstra (eds), proceedings of a conference held at the University of Sydney 19 – 21 August 2005, forthcoming.

    Download this paper in pdf format

  14. ‘Andrew Grimwade and Gerard Vaughan (eds), Great Philanthropists on Trial: The Art of the Bequest Melbourne […]’

    Download this paper in pdf format

  15. ‘Faux Pas? Questioning the Authenticity of the Melbourne Van Gogh’

    Download this paper in pdf format

  16. ‘Alessandro del Meglio and Roberto Manescalchi, Paolo Uccello: Un Affresco dimenticato […]’

    Download this paper in pdf format

  17. ‘Jan van Eyck, The Ince Hall Virgin and Child and the Scientific Examination of Early Netherlandish Paintings’

    based on: Re-examining Van Eyck: A New Analysis of the Ince Hall Virgin and Child, MA thesis, The University of Melbourne, 2001.

    Download this paper in pdf format

  18. Paolo Uccello ab ovo: Volume One; Volume Two

    based on: Paolo Uccello: The Life and Work of an Italian Renaissance Artist, PhD thesis, The University of Melbourne, 2006.

    Download Volume 1

    Download Volume 2

  19. ‘Transformations in Identity: Remaking the Image of a Cardinal Saint in
    Seventeenth-Century Rome’

    Download this paper in pdf format